Sridevi rolled in the hay and danced in the rain, but it was her facial expressions - a Saroj Khan trademark - that made Kaate nahin kat te the number it turned out to be. India number that introduced a new kind of sensuality to the Bollywood song? With Anil Kapoor’s ‘invisible man’ largely remaining in the shadows, it was Sridevi who dominated the song, with Saroj Khan’s choreography keeping our eyes glued to the screen. Who can forget an ethereal Sridevi in a blue sari in this Mr. The popularity of Ek do teen actually spurred the introduction of the choreography category in many a Bollywood award function. The world went “Mohini, Mohini, Mohini”, even as Saroj Khan and Madhuri came together for the first of many more memorable songs to craft a seven-minute-long number that was peppy and sexy, but also full of grace. Chandra film that marked Saroj Khan’s breakthrough in Bollywood and thrust Madhuri Dixit firmly into the spotlight. India a few years earlier, but it was this iconic number from the N. She may have choreographed Sridevi to great success in Mr.
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